Electronic music dating site
Whether you're considering this ancient stringed instrument, a modern music program or a Paleolithic bone flute, Chordia insists the basic principle is always the same."Music and technology are fundamentally something that have gone together since the earliest forms of music," Chordia says.you can use content in any way as long as the content owners are credited and it would be courteous if you could acknowledge the source by linking or referring to the site. 2016 *The name: ‘120 Years of Electronic Music’ project was begun in 1996; considering electronic music started around 1880 this was quite an accurate title for the time."I would've heard that much more maybe five or 10 years ago," says Atlanta-based electronic artist Richard Devine, "but I think now the digital age has pretty much changed everything.Computer technology has evolved tremendously over the past few decades, and electronic music has definitely followed suit.
The focus of this project is in exploring the main themes of electronic instrument design and development previous to 1970 (and therefore isn’t intended as an exhaustive list of recent commercial synthesisers or software packages.) As well as creating a free, encyclopaedic, pedagogical resource on the History of Electronic Music (and an interesting list for Synthesiser Geeks) my main interest is to expose and explore musical, cultural and political narratives within the historical structure and to analyse the successes and failures of the electronic music ‘project’, for example; The ideas put forward in Ferrucio Busoni’s ‘Sketch of a New Aesthetic of Music’ (1907) inspired a generation of composers to explore micro-tonal and varied intonation and Hermann von Helmholtz’s ‘On the Sensations of Tone’ (1863) provided an understanding of the physics of sound suggesting the possibility of creating an unlimited palette of tones and shapes beyond the restriction of traditional instrumentation.The project is completely non-commercial and self funded.The aim is to make the information available on a free/open source basis i.e.and even Moog (in the original instruments) and Buchla’s modular synthesisers.More recently interest in atonality and non-manual control has re-surfaced with software synthesis and audio computer languages.